Archive for the 'mellow' Category

30
Jul
17

Michael Franks “The Art of Tea”

I had never heard of Michael Franks, saw this record in a thrift store and bought it against my better judgment. The picture on the cover, of him, doesn’t tell you much, unless it tells you this record is 1975. There are some familiar names playing on this record: Wilton Felder, Joe Sample, Larry Carlton, and more, and I’m listening to it as I look for him on the Internet. He’s a jazz singer/songwriter; all the songs here are his, and there are lyrics on the back, and there’s some good ones. On second listening the record is already growing on me. I like his voice a lot—it’s equal parts a little odd and way smooth. He’s been putting out albums pretty regularly since 1973, and he’s got a website, looking pretty good, now in his seventies, and still playing. Don’t know why I’ve never heard of him. One song here, “Popsicle Toes,” I’ve heard before—I believe done by Diana Krall. How about these lyrics from that song: “You must have been Miss Pennsylvania/With all this pulchritude/How come you always load your Pentax/When I’m in the nude?” Or how about this one, called “Eggplant”: “When my baby cooks her eggplant/She don’t read no book/And she’s got a Gioconda/Kind of dirty look/And my baby cooks her eggplant/About 19 different ways/But sometimes I just have it raw/With mayonnaise.” In the lyric department, he’s definitely got it going on, at least here in 1975. And did I say that the whole record is smooth?—something that might have put me off at one time, but now I’m into it.

14
Mar
09

George Benson “Weekend in LA”

Ever since the suffering, bored days of high school, I’ve always considered George Benson’s 1976 milestone, “Breezin'” as shorthand for “insipid.” So it was with great trepidation that I put on this double, LIVE, LP from two years later, the dreaded cultural abyss of 1978. But to my surprise, I’m rather enjoying this low key, smooth jazz experience—really, I’m not kidding. I’ve graced my turntable and neighbors with this LP more than a few times lately. Perhaps I have mellowed like a fine wine. I’m not exactly coming home from school, putting on the Sex Pistols, and pounding a quart of hard cider like I was doing in the days this was pressed. No, these days Ray Speen has used his crack pipe to prop up the wobbly leg of his game table where he’s slowly working on an enormous jigsaw puzzle of the Taj Mahal. That image in the reflecting pool—as still and perfect as it is—just drives you crazy! But that’s another subject.

At first I thought this was a single record, as the second disk is gone. Then I noticed that I was in possession of Record 1 Side I, backed with Record 1 Side IV. That’s Roman numeral “4” for all you intravenous drug abusers who can’t get their minds off the dope. Try a jigsaw puzzle, really. The best song is on side “IV”—the awesome Leon Russell’s “Lady Blue.” Other standouts are “Weekend in LA”, which could be synonymous with “mellow,” and “On Broadway” which could maybe be the theme song for everything in the 1970s I’d like to forget. But in a good way. You can barely tell this is a live record, the audience is so subdued; they sound like they’re all sitting in comfortable seats next to blonde ladies, sipping gin sours.

The cover is as equally classic, with “George Benson” “signed” in red neon, and George assuming the (strictly reserved for superstars) Jesus on the cross pose, that is if Jesus had been gripping a hollowbody, George Benson signature Ibanez in one hand, which, who knows, maybe he was. There are a couple more good pictures of GB, and really, he’s got one of the best moustaches of all time. This could very well be my moustache model for my new look. I’m already, as it is well known, fond of those open collars big enough to double as a jib, Genoa, or even a mainsail. Not something you’d want to wear on the high seas, but fine for tropical, LA nights.




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