Jesus Christ Superstar

I bet when most people think of “Jesus Christ Superstar,” the musical written by Tim Rice and Andrew Lloyd Webber, they only think of that over the top, overplayed, and kind of annoying chorus to the title song, which is otherwise a really great song (which you’ll remember if you hear it: “Every time I look at you I don’t understand, why you let the things you do get so out of hand…”). It was played frequently on the radio in the 1970s, but that annoying chorus is what sticks in your mind. The other radio hit was “I Don’t Know How To Love Him,” which is a pretty nice song, but the thing is, everything else on the 1970 double album is BETTER. It’s a great album, and I can’t really express how much I like it still without sounding a little insane. So I’ll leave it at that.

There have been a lot of records and versions of JCS over the years, including musical revivals (you might be able to catch one now, in fact, or in the near future), including a pretty insane movie version, but I will always be partial to this original recording– it’s the record with a dark brown cover, no pictures. You can probably find it in thrift stores pretty easily, and I should try to find a clean version of it because the one I have is scratchy and has a few skips, which breaks my heart.

There are too many good songs to mention, and it’s impossible to even know the names of the songs, because they run together, stop and start on a dime, and there are various versions of some of the main themes. After starting with the title song, there’s “What’s the Buzz,” “Everything’s Alright,” and “This Jesus Must Die,”–  really the whole first side is amazing. “Damned For All Time,” is another standout, and one everyone might remember, “Herod’s Song,” was pretty shocking to a young kid. My brother and I loved this record, and I think we got a lot of the Bible story from it, but also loved it as 1970s rock– Ian Gillan from Deep Purple was singing the Jesus part, and there are a lot of musicians of that era playing. The nice thing is, it’s still a Broadway show musical, so it’s somehow more listenable to me than a lot of heavy metal, but there are those heavy metal elements– it’s really surprising– suddenly a guitar will cut through the strings, and then there is a soul chorus, and then a horn section.

It just starts out so great, after a the overture and title song, there is the “39 Lashes” theme with an awesome guitar riff backed by an orchestra, then a classic Moog synthesizer comes in, then another guitar part that sounds so present in the recording that you want to look over in your room to see if a long haired guy with platform shoes is sitting there on his amp. Then out of nowhere a Hammond organ, and it sounds like Deep Purple for awhile, then it’s back to Broadway.