Posts Tagged ‘Folk

25
Aug
18

David Bromberg “Demon in Disguise”

I probably would have ignored this one but I just heard a conversation with David Bromberg on WTF podcast—and I really liked him—so this was a good chance to get some background via a recording he did; I have no idea of his discography, but this record sounds remarkably confident and alive. Some of the songs are credited to him, some are traditional and arranged by him, and then there is Jerry Jeff Walker’s “Mr. Bojangles”—a live version, with DB telling a story—in the middle of the song—about the origin of the song—which reminded me of another time I heard a recording with someone telling the story of that song—in a live version—was it possibly this one? Or am I just tripping?

Much of this record I really like, especially songs where he is singing. He has a kind of unlikely and unique singing voice. I don’t like some of the more traditional stuff that feels more serious or reverent (not that that was the intention, it just comes off that way, to me). For some reason fiddle music just really bugs me—I guess maybe due to a long childhood of TV crap, and whenever you’d see someone playing fiddle music their eyes would be bugging out like some insane hillbilly, and it always seemed like someone would have to yell “Hoedown!”—like announcing it, as if you don’t know. It’s kind of like if someone is having sex and one person has to keep yelling, “We’re fucking! We’re fucking!” I suppose some people could be into that, but me, personally, I’m a little more reserved.

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16
Jun
16

James McCandless “Faultline”

Again with the goofy fonts; I thought it said “Asscandles”—but closer examination clarifies: James McCandless, someone I’ve not heard of before now. This record is from 1985, which to me seems like yesterday, and I have to keep reminding myself it’s over 30 years ago. Also, magic-markered on the front and back cover are the letters, WNKU, which sounds like a radio station to me, and research reveals it’s on the Kentucky/Cincinnati border. Somehow this record escaped.

Further research turns up a James McCandless website. Apparently he died in 2013, nearing the age of 70. He lived most of his life in the Chicago area, playing all over the place, folk music, and this is his first record, on his own label, St. Christopher. There’s a lyric sheet, which is nice, because the lyrics are worth checking out, even though you probably can understand them as his voice is clear as a bell. This is the good kind of folk music; it’s plenty serious but doesn’t take itself too seriously. Songs are funny and they are grim. Some just voice and acoustic guitar, and some with a full band and some fine musicians.

I could go on and on but I’m trying to keep things short, and many of you will see the word “folk music” and go no further. You’re making a mistake. But go to your grave close-minded if you want to, there’s plenty of eternity to come around to things. Anyway, I personally cannot resit a verse like this: “Last night after work we all went to a restaurant / I ordered my usual BLT and fries / and while I was hunched over my friend Jerry put on his sunglasses / he said the glare off my skull was hurting his eyes.” It’s from a song called “Kareem and Me” about Kareem Abdul-Jabbar and going bald.

20
Oct
08

Joan Baez

This is Joan Baez’s first record, on Vanguard, from 1960, and it’s serious and pure, and old-seeming; it has the feeling of a record that came out in some year more like 1860 than 1960. I mean it’s hard to argue with this record, for what it is, but I feel no more compelled to put it on again than I do to dutifully eat my vegetables. I think my problem with the performance here is that it seems like it is playing way too fast; to me it sounds like an LP played at 45rpm. I really wish I had one of those old record players that actually had “16” speed, roughly half the speed of a 33 and 1/3! Did anyone ever actually have a 16rpm record? Someone must have. Or maybe that speed was just put on turntables for reasons such as this: so the listener could shape the music to their needs. Though really, I don’t want her voice lower. I like her voice. I just want it slower. Okay, this is pointless. Forget I even said anything.




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