Posts Tagged ‘blue

22
Nov
18

Kayla Guthrie “Blue”

Okay, I just noticed among the records here there were three with really similar covers—that look like photos of dark forms that resemble shadowy, out of focus, silhouetted heads, or faces, from the shoulders up——so I decided I have to listen to all three of these in succession to see if there is any connection, or if this is a “thing”—or what. The first is someone named Kayla Guthrie, who I have never heard of, but that sounds like a woman’s name, and the head looks like it could be a woman. The record, called Blue, is on a really beautiful blue vinyl (make a note, if I ever press a record, to consider that color). It’s kind of plodding, kind of industrial sounding music with a really depressed, drugged out singing style—can’t make out the lyrics, or even tell if it’s English. The cardboard inside—the inner wall of the album cover is also blue. What’s the name of this record, again?

Oh—I went to turn it over and noticed that it’s actually 45 RPM—it was printed small, I didn’t see it. Okay, that makes sense, it sounds more normal now. I know this goes against my rule to not write about 45s or EPs—but this ship has already left the Earth’s orbit. Four songs, definitely a woman’s voice singing, not a zombie, like I first thought, and there are lyrics and notes. Some of this music might be described as “industrial”—it’s really good—and some reminds me of that later Tom Waits stuff. Other songs sound like I’d imagine Nine Inch Nails to sound, though I’ve never heard NIN, so I’m probably wrong—so I don’t even know why I said that. Anyway, there are only four songs, but I like them. Further inspection reveals credits, lyrics, and an extended inner sleeve with notes by Kayla Guthrie, kind of a bio/artist’s statement, and is a bit more than I want to know. It reminds me of why I hate the internet. But you love the internet. I go both ways.

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08
Nov
18

Tangerine Dream “Stratosfear”

I’m pretty sure I used to have this 1976 Tangerine Dream record and was not too crazy about it, so it’s worth revisiting—perhaps I have grown mature, or electronic, or German, or mellow, or nostalgic. The front and back and inside images are some photo-collage nonsense that is embarrassingly dated. The first song, “Stratosfear” sounds really familiar, like maybe it was used in a movie soundtrack or maybe soundtrack music has been directly inspired by this. I can see some wintery, European landscape with an expensive car traveling over desolate roads that should be beautiful, but because of this music and the the exaggerated blue color temperature of the scene we understand that something tragic either just happened or is about to. It seems like half, or more, of the movies I see are incredibly, annoyingly blue—and my theory about this is that it’s because of the current pharmaceutical landscape in which we live. I thought about this while working at a recent grocery store job where the workers (the ones who didn’t get “laid off”) worked with a seemingly speed-fueled intensity—in spite of their being NO coffee offered in the workplace—and very little coffee brought in from outside, even. Which led me to think about all the people who are diagnosed with ADHD, etc. and are prescribed Adderall, etc. and are essentially like speed freaks all the time. I don’t know this, but it would explain a lot. So, likewise, I’m thinking, with so many people on anti-depressants, maybe this has caused an overall shift in the acceptable color temperature of commercial cinema—in order to just look “normal”—it has to be very, very blue.

The first side is astoundingly under 15 minutes long (the second is closer to 20, but still…) aren’t these progressive rock guys famous for really long songs and albums? Maybe I’m just thinking of Genesis, whose records were always like 60 minutes long. But come on, it’s not like anyone is working up a sweat here, it’s just kind of programmed and then it trickles along like a 1970s movie (that you can’t believe was allowed to take its time like that, and would never happen today). But come on, guys, a lot of trees died so this album cover could open up to reveal the letters “TD” 24 inches wide (and a photo-collaged, little, black and white, blond, German kid as big as your fingernail). Side two is so quiet and low-key I think it would only work on that original, really good LSD I’ve heard about—and playing through tube amplifiers the size of a VW, and Altec-Lansing “Voice of the Theater” speakers that would turn the 1812 Overture into a weapon of mass destruction—but here functions to expose the subtlety that is necessary for this record to make any sense at all.




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