Posts Tagged ‘Bill Owens

31
Oct
19

Skeeter Davis “My Heart’s in the Country”

This record has the best cover of all the Skeeter Davis records I own (which is a lot, but not nearly enough of them). It’s a full cover color photograph of Skeeter sitting in a barnyard wearing a red and white gingham dress, holding a baby pig. As cute as she is, the pig’s even cuter. The photo is weirdly cropped, as in it doesn’t look cropped—I’m guessing they took a few, but there weren’t a lot to chose from that had sufficient focus when blown up that large, because, I’m no expert, but I believe those little pigs are kind of squirmy. It’s a great cover. There’s also substantial liner notes on the back, by Skeeter Davis, which I’ll read in a bit. I was going to say this isn’t my favorite of her records, which it isn’t, but now that I’m listing to it a few times, while writing this, it’s growing on me. Skeeter Davis records will do that. The title song (by Larry Kingston and Felton Jarvis) is about a singer who has big city success, but nevertheless, she sings, “My heart’s in the country, on a farm in O-hi-o.” Which, of course, strikes a chord with me, as an Ohioan. She is from Kentucky, so this song is a character, but also her, and southern Ohio and Kentucky do have a border, but it’s not necessarily the one drawn up by The Man. Now that I think about it, maybe it’s the Ohioan in her (as well as the Kentuckian in me) that draws me to her so intensely. This song also has one of those spoken parts, which I’m sure some people find corny, but I love that, especially when Skeeter Davis does it.

One thing that’s interesting about Skeeter Davis is that she had success with both pop and country audiences, which is something she talks about in the liner notes, maintaining that her roots are in the country (and this country music). I’m personally not partial to either the pop music or the country music she’s recorded—I must say, I like both equally—and sometimes you can’t really hear a line between them (but sometimes you can). As I’ve said before, above all, I’m song oriented, so it matters little, the genre or style—I’ll like a song, or not so much. The biggest generalization I make when I’m categorizing music I like or don’t like is the degree of jauntiness—and I’m sure people are tired of me using that word, but it best expresses the thing that often turns me off. (Of course, I’m sure there’s a jaunty song out there that I do like, but I can’t think of one right now.) Naturally, both country and pop songs can be jaunty. On this record, which is all hardcore country songs, we have the jaunty and the not jaunty. The not jaunty ones tend to be sad and melancholy—those are my favorites. A few of my favorites here are “Put It Off Until Tomorrow” (by Dolly Parton and Bill Owens), “I’m Living in Two Worlds” (J. Crutchfield) (not about the two worlds of pop and country—it’s a relationship song—and a sad one). And “Before I’m Over You” by Betty Sue Perry, another in the tradition of losing one’s mind (going crazy, insane, etc.) over a love gone wrong. Of course, there are songs that are kind of in between sad and jaunty, the clever country songs—one here I like a lot is “Guess My Eyes Were Bigger Than My Heart,” by Liz Anderson (I always liked that expression, about eating, and there’s nothing I like better than the tradition of inserting “heart” in every expression imaginable).

These liner notes are Skeeter answering the question, “What’s the country like?” She goes on and on with nostalgic descriptions of the things she remembers and loves about country life—sure, it’s sugary and sweet, but really kind of touching, too—at least to me. My favorite part of it is where she’s talking about mothers and fathers, now gone, their particular smells, and she says, “And they were smells you’d like to smell again, but can’t.” I guess that reminds me of what I like about Skeeter Davis—there is this simplicity, clarity, a kind of innocence, but never without an underlying melancholy and world weariness. It also reminds me that I have this autobiography she wrote, called Bus Fare to Kentucky, which I still haven’t read—I’ve got to read it sometime.




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