Posts Tagged ‘1984

31
Jan
18

Captain Sensible “Sensible Singles”

Apparently someone staying at this “North Woods” cabin was into alphabetizing the record collection because this one was on the shelf right next to Captain & Tennille. I’ve never heard it or even knew it existed—but I know Captain Sensible as the bass player from The Damned, and I always thought he had the best punk rock name of all. Also, great style. Apparently this is his collection of his singles, hit or otherwise. I imagine he’s got an entire career I don’t know about, and unfortunately I’m not going to get much info off this album cover—there are no song credits or performance credits. He’s got a pretty good band, anyway. He does thank them, kind of; in the crude past-up photo of him on the back cover, wearing a sailor suit with women’s jewelry, in a drawn-on speech bubble coming from his mouth he’s saying: “Thanks to all the nutters who contributed to this vinyl masterpiece…”

The front cover is a huge, garish photo of the captain, painted on in places, with a crude painted tropical scene background. He’s wearing ridiculous sunglasses (or maybe they’re painted on) that look like vinyl records. And of course his captain’s hat. I wonder if he’s making fun The Captain (of Captain & Tennille)? Interestingly, this record is on the same label (A&M) as Captain & Tennille (at least the record I just listened to). Some of these songs are great, some inspired, and some are total rubbish. Which is exactly what I said about the Captain & Tennille record, essentially. It might sound like I’m trying to see how many times I can write Captain & Tennille while writing about Captain Sensible, but no. I just don’t know what to make of this record. He’s got some serious songwriting collaborators: Rodgers & Hammerstein (well, that one’s a cover) and Robyn Hitchcock! The rest I don’t know, but I’ll look them up later. I’ve got to read an interview with Captain Sensible—or maybe there’s a documentary about him somewhere.

Okay, this song, “Wot”—I remember this one, kind of a mindless disco number, repeating over and over, “Say Captain, say WOT!”—about one million times, or until you’re about ready to throw something. But I like it—it kind of reminds me of an Ian Dury song. “Martha the Mouth” is a really nice song—really good pop hook, and I’d love to be able to understand the lyrics. This is a record in which a lyric sheet would be welcome. “Stop the World” is a kind of “white funk” song—which reminds me of Royal Crescent Mob, from Columbus, Ohio. Didn’t they have a song, or album called stop the world, or something? “Glad It’s All Over” is another good one, and “It’s Hard to Believe I’m Not.” These songs sound like hits—in some kind of parallel universe maybe? “There are More Snakes than Ladders.” “I’m a Spider”—serious hit song with a chorus that goes: “I’m the spider, deep inside ya.” I don’t know. Insane. There could be a serious Captain Sensible rabbit hole out there. Enter at your own risk.

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28
Jan
18

Depeche Mode “Some Great Reward”

I picked out this one because I thought it was another robot vs. humans album cover, but it’s not a robot at all but some kind of elevated industrial tower structure, with a huge factory building in the background. In the foreground there’s a young man and woman in wedding attire—it would not be outlandish for me to believe this was an actual wedding photo—kind of an “alternative” one, the romantic embrace in front of an intimidating industrial backdrop rather than a pond with flowers and swans. If you think about it, it makes as much sense—though what it means in this setting, I can’t tell you. On the back is a sliver of a different take of the same photo, with a quote: “The world we live in and life in general.” SO… there you go. Means absolutely nothing. Or maybe not—on the song “Lie to Me”—“lie to me/like they do it in the factory/make me think/that at the end of the day/some great reward/will be coming my way.” Marriage, the factory… you’re smart and cynical enough to know it’s all a load of bollocks. But you can still dance.

I am familiar with Depeche Mode, of course, but I’ve never listened to them. This record came out in 1984, and is on Sire, which was a label I saw a lot of in the 80s. In 1984 I played in two bands, was in school, and had two jobs, so I feel like I missed popular culture entirely—no TV, no movies, very few new records. I stopped being caught up on new records coming out, though I’d heard earlier Depeche Mode and didn’t like them, as at that time I was turned off by anything I thought was remotely pop music, and also stayed far away from anything remotely “electronic” or that even employed synthesizers. I had gone through a “progressive rock” phase in the Seventies, but when punk came around I rejected all of that. But that was just another phase, of course. Now I don’t reject anything, necessarily, and like to take everything in with an open mind if possible, but actually seem to like less music than ever—so essentially, I guess, I’m more opinionated than ever.

On one listening I can tell there are some very hook-y pop songs here, some of which would probably resonate with me after repeat listenings. Remember the old days when you’d buy maybe one record a week or month, that first listening, so exciting, and then you’d try to hold off a few hours for the vinyl too cool down, or until the next day for the next listening, and when the songs would start to take hold, due to familiarity, it would be like a new record. And then you could go deeper, with the lyrics, maybe. I don’t know, but I don’t think people listen to music like that anymore—well certainly not on computers. This record sounds pretty much exactly like I thought it would, so I guess I know what Depeche Mode sounds like, and I’m not going to like them any more now than I ever did. Whenever I look up bands, I’m kind of surprised to see that they’re still playing, but then, why not? If you can make money at it, why would you stop doing that—to work at a haberdashery? Of course—stay in the band! Just try to stay away from the drugs!

Okay, one song here really grabbed my attention so I’m listening to it over. It’s called “Somebody”—nice song title. It’s the least electronic song on the record (which no doubt is why it grabbed my attention) with just acoustic sounding piano and singing (and some tapes of background noise, sounds like people at park). It starts out with some syrupy sweet sentiment that leads you to believe it’s going to drop the irony bomb in about three minutes. But here is the surprise, it’s actually sincere all the way through—but with reservations, questioning, not having it all figured out, but trying. I could paraphrase some of the lyrics, but I kind of hate when people writing about records do that (I know, I did it earlier), and this one works better as a whole. I’m assuming you either know the song, or know how to use the internet and can listen to it if you want to.




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