Archive for the 'Mott the Hoople' Category

28
Nov
17

Mott the Hoople “All the Young Dudes”

I have a theory that the peak of Western pop culture (music, books, movies) is the year 1973, and 1974 and 1972 come in a close second. I won’t list examples here, you can do that on your own. If I was allowed to pick my favorite things on different days of the week, on one of the seven my favorite rock band would be Mott the Hoople, but that’s mostly based on their last two records: Mott (1973) and The Hoople (1974) (to the uninitiated, it might sound like I’m making this up), and a single, “All the Young Dudes” from 1972. They had been a band since the Sixties (though I never heard of them until I bought the Mott record (as a young dude). The story I’ve heard is that they were a great live band, had a lot of die-hard fans, but their records didn’t sell that well, and they were about to break up in the early Seventies, and David Bowie, a fan, gave them the song, “All the Young Dudes,” which revived their career, got them a new label (Columbia), and led to this 1972 album—and then the two amazing (in my opinion) followup albums.

I might have some details or nuances wrong there, but I want to believe that, because it’s a great story. It’s also a crazy story because “All the Young Dudes” is one of the greatest rock’n’roll songs ever written, and who gives away their best songs when they’re right in the middle of a recording career as well? And it’s one of those songs that you know, the first time you hear it—that it’s going to be a classic. The nice thing is Mott the Hoople did a great version of it, and David Bowie later did an equally good version (which you might like better if you’re a Bowie fan), and no one sued anyone and everyone stayed friends (or so I want to believe). Anyway, the idea of Bowie giving this band that song is something that warms my heart every time I hear it.

I had probably heard the song somewhere, like on the radio, when I was 12, but I didn’t hear this album until many years later. As much as I liked Mott and The Hoople, it’s odd I didn’t seek out the older records, but at that time, I guess, it was looking toward the future, and I did buy the first Bad Company record, a band Mick Ralphs started when he left Mott the Hoople the next year. (The Bad Company hit song “Ready for Love” is on this record.) All the Young Dudes isn’t a bad album, but it’s not that great either; it feels really low-energy to me for some reason, and kind of disjointed. There are lead vocals from three different singers, but Ian Hunter is the one I want to hear. There are songs by Ian Hunter, other members of the band, Mick Ralphs, David Bowie, and even Lou Reed (not the worst cover of “Sweet Jane” anyone’s ever done, but not the best either).

The front album cover looks like it got slapped together in a mix-up with Columbia’s pulp fiction department, and they just decided to go with it. The five individual band pictures on back are all from live performance, but if you isolate their faces they just look sweaty and tired, and kind of sad even, like five guys watching their favorite football team lose. I’m pretty hard on this record, but really, there’s nothing here that indicates how good their next two albums would be, and how inspired Ian Hunter’s songwriting would be on those records. I can’t think of another example in rock’n’roll history where a band’s best two records are their last two. Still, I keep this record around just so I can listen to “All the Young Dudes” on vinyl—what can I say, it’s just really the perfect rock song, and is another one that sounds better right now than in in your memory (and the rhyme of “juvenile delinquent wrecks” and “I need TV when I got T-Rex” is one of the most inspired ever).

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24
Nov
08

Be Bop Deluxe “Axe Victim”

I listened to this record with great anticipation, not having any recollection of what this band sounded like, even though I remember the name well, from my youth. To my surprise it sounds more like David Bowie than anything, though not quite, kind of like that parallel universe Bowie created for the movie “Velvet Goldmine” by a lot of musicians, but most notably Brian Eno and Bryan Ferry. And I suppose you could say this sounds a lot like Roxy Music, but I never listened to that much Roxy Music, it was Bowie for me. I never listened to ANY Be Bop Deluxe– how did that happen? I would have loved this record had I bought it when it came out in 1974 when I was a huge glam rock fan and really into the whole androgynous sci-fi thing, and still a little afraid of the Rolling Stones. I pretty much know for a fact that guitar excess didn’t bother me as much then as it does now– and there is plenty of excess here! This is pretty much Bill Nelson’s band– not the Bill Nelson who is the Florida Senator who flew on the Space Shuttle– though this Bill Nelson has just as effectively seen the heavens firsthand on his six-string rocketship. The title “Axe Victim” could very well refer to the ears of the listener who is not somehow immune to this sort of thing. I mean, if you removed about two fingers on one hand and three on another, this guy could be a great guitar player. This record could be convincing argument for religious leaders not to condemn masturbation, just so young boys will have something to do with their hands besides practice, practice, practice. I’ve just got to say, if you really want to play with the London Philharmonic, get a fucking violin!

But for all that, somehow, perhaps against my better judgment, I really like this record! Maybe I shouldn’t be surprised, as it comes out of my favorite era of rock, the early seventies. And that should surprise no one– just look at my hair! Okay, I admit, I’m stuck a little in that time period, forever trying to relive the weird trippy sensation I had when I brought home that “Diamond Dogs” album from the Ontario store. Anyway, I’ve been listening to this thing over and over, and the more I listen to it the more I like it. The guitar still sounds tremendously overdone, like 300 notes where you could get by more effectively with one, but the singing is quite compelling, and most of the songs are great. Actually, the songs are all over the place, some much better than others, but together as a whole, and specifically as a record album with two sides, they really work together as a whole. The album cover is better not mentioned– I won’t describe it, and if you don’t remember it, believe me– don’t go searching it out. The back cover, however, is classic– a picture of the band– looking more goth than glam, almost– and there is every indication that if you were Bill Nelson’s lover, you’d always be in second place.

But really– I love this record– this is just the kind of thing that finding in some dingy basement could really make you have faith in the idea that there are still great things out there that you have somehow overlooked. I am going to go so far as to go out and buy myself a cassette tape device and record this in a lovely analogue fashion. I might ever go a little further and look up Bill Nelson on the internet. Well, actually I already did, a little bit. It kind of makes me happy, for once, that he’s still out there, maybe in space, making music.

24
Mar
08

Mott the Hoople

Sadly I have come to the end of my records, as I have moved out of town and left my records behind. (I was only halfway through the first of three large crates, each one in alphabetical order.) Mott the Hoople would’ve been next, but I can still write a little about them, from memory.

I got the record “Mott” when I was maybe in Jr. High– and I was immediately fascinated with it. Of course “All The Way to Memphis” is irresistible, and songs like “Violence” are just so over the top. Next was “The Hoople” which went even further with crazy songs and lyrics. Check of “Alice” if you have time. It wasn’t until years and years later (I mean 30 years!) that I got another MTH record, which was “Brain Capers”– an earlier one– and it is really pretty good– I listened to it excessively. Then I got a copy of “All the Young Dudes”– which is good– but that song!– I was already more than familiar with it, but playing it on my own, at home, on purpose, and listening intently– what a great song!

Okay, what next? Since I moved to an apartment with a roommate, and my records have not followed me here, I decided to listen to all of my roommate’s records and write about them, in alphabetical order! And there are a lot.

Then someday I’ll get back to my old records, I hope.




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