28
Mar
20

Matt Dennis “Welcome Matt”

I kind of expected the worst from this record, pop music corny-ness, and it is pretty friendly, but also, it kind of strikes me as odd, how it’s recorded—Matt Dennis’ smooth, crystal clear voice is recorded so loud relative to the orchestra—he sounds more like he’s in the room here with me than if he was in the room here with me. Maybe that’s how pop vocalists were recorded in 1959, and I’ve just listened to so much Sinatra everything else sounds kind of crude in comparison. I’m not sure, though, as I don’t listen to a lot of comparable stuff. Maybe this reminds me a little of someone like Mel Tormé? Anyway, good songs, some standards like “You’d Be So Nice To Come Home To” and “Cheek to Cheek,” and there’s a particularly nice song called “Home” that I’m not sure I’ve heard by anyone else. Then there’s “Welcome Mat” by the man himself—it’s a little goofy. The version of “My Blue Heaven” sounds really weird to me—like he’s flattening the end of each line—maybe that’s a style. Maybe that’s how the song was written. I don’t know know—I wish I knew more—I’ve got more questions than answers about this one. But I like it. My favorite, though, is “A Cup of Coffee a Sandwich and You”—a song I’ve never heard before, and probably for good reason—it’s insane. I mean, a sandwich? I guess the idea is, the simple things in life are good enough for him—but then where does that put “you?”

The cover particularly cracks me up—it’s a photo, taken in an actual apartment, of Matt Dennis in formal wear entering, carrying a welcome mat on which “Welcome Matt Dennis” is crudely rendered. There’s a woman standing there (who presumably put out the mat) who looks either annoyed or overwhelmed by the Matt Dennis sex appeal. Her long dress is an odd design of brown and gray plaid—it’s a really weird print for a dress—I have no words for it, I’m no expert. It looks like some kind of curtains or a tablecloth, to me, more than a dress, but what do I know? She’s wearing more pearls than can possibly be healthy—which are kind of overwhelmed by the plastic doorbell, peephole, and three brass doorknobs also visible in the photo. I mean, there was absolutely no art direction involved at all here (other than that cheesy “Welcome Matt”)—which, when I think about it—makes it actually more interesting than if a lot of care was taken to make it look not weird. I miss these times, from the past, when things didn’t have to get worked over and homogenized by a team of boring, frightened, accountants. When a doorstop was a doorstop, and “I love you” meant… Okay, maybe I should just stick to talking about the cover art, here.


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