Archive for December 14th, 2018

14
Dec
18

Lesley Gore “California Nights”

A pretty listenable all the way through Sixties pop record—I really don’t know much of Lesley Gore’s music (besides that “It’s My Party” song, of course) as household name as she is. I’m a little too young for her earliest records, at least when they came out. I don’t think I realized this until later, but I was at first a fan of her because of a couple appearances on the Batman TV show, in the Sixties, which I never missed—I was really into that show, to the extent that every version of Batman since has only offended me. Seeing the Batman episodes many years later I realized that her character, Pussycat, was maybe the first girl I had crush on. I mean, who can remember, really, but I do remember being pretty infatuated. She did a couple of songs on the show, even, that are on this record. Pussycat is criminally employed in some way by Catwoman, and I don’t think when I was that young I was even able to fully process Julie Newmar’s over-the-top sexuality—actually, I still don’t know if I’m able to. Also, somehow I remember that my brother and I had these costumes that Catwoman’s male henchmen wore, which I think I thought were really cool, on one hand, but I was also kind of creeped out by how emasculated the guys seemed—even though I didn’t really know what that meant. There was a lot of pretty deep psyche-altering stuff in these shows, which of course I didn’t get at all, on the surface (I mean, I didn’t even get that it was funny). A couple characters in particular—Frank Gorshin’s version of the Riddler, and Julie Newmar’s Catwoman—they both raised the bar for this kind of, part-comic, part hypersexualized physical performance that I don’t think has been matched— or ever will be—even though a lot of fine actors have given it the old college try.

I guess I got sidetracked there. Anyway, I had to put the record on again, getting carried away with memories like I was. This is one of those thrift-store records I expected to put on once and see if it disturbed any stones along memory lane—I guess I wasn’t counting on it causing a kind of Batman flashback. Anyway, nothing on here is consciously recognizable, but the big surprise is I really like all of it. She was choosing some fine songs at this point, many by Bob Crewe (a producer on this record, along with Quincy Jones). One of my favorites, “Maybe Now” is credited to L. Gore and M. Gore—I’m guessing that’s her, and who else? Martin Gore, from Depeche Mode? Probably not—he would have been, like six. Okay, the internet tells me it’s Michael Gore, a successful composer, and Lesley’s little brother! Anyway, this record keeps getting better as it goes along—it’s one of those. “The Bubble Broke” is a particular standout. The picture on the cover is nice, too, though odd, but I’m not going to try to describe it or I’ll be here all night.




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