20
Aug
17

Ramal LaMarr “Omens, Oracles & Mysticisms of Dance”

It’s not easy to find anything about Ramal LaMarr on the internet, and though, of course, I could dig deeper, I’m not sure if I want to, because I’m looking while listening to this record and starting to get the heebie-jeebies, because it sounds a lot like the music one would listen to while performing human sacrifices. I don’t know why I think that, really—I must have seen too many human sacrifice movies, though I can’t recall ever having seeing any. That level of creepiness is not my thing, really, though it’s kind of fun thinking about in relation to this record. The cover looks creepily homemade, with cut-out images of a belly dancer and a guy (Ramal?) who is wearing what looks like some kind of Satanic garb. The images seem to have been cut out with a very sharp knife (sharp enough to cut out a human heart?) and placed on a background that looks like a wall mural for a Middle-Eastern restaurant. There’s a feeling of finality to it, like the name of the album sounds like it could be his first, second, and final record all in one. Also, it’s very long, like nearly an hour in length, which… I guess if you’re in the middle of a human sacrifice you don’t want to have to stop and turn over the record.

Though maybe I’m overthinking things—the internet says he put out a couple of records after this one, and they all do have “dance” in the title; maybe this is essentially belly dance music. Which is what it sounds like, though on the sinister end of that spectrum. It’s from 1983, and the label is “Lotus”—out of Milwaukee. It’s instrumental, consisting mostly of synthesizer and percussion. Credits indicate that Ramal LaMarr plays everything except “Zills”—which are credited to “Chandrani”—who I’m guessing might be the belly dancer on the cover. Besides synth and bass, there are Arabian Drums, Kanoon, and Mbira listed. A few songs end with a really kind of creepy and ominous gong. As I listen to the whole record again while typing this, it’s actually starting to grow on me; it’s somewhat soothing on one hand, and kind of trance-inducing on another, and kind of anxiety producing on another. I know that’s three hands—thus the anxiety, I guess. But really, I could see this as really good music for writing, making love, or preparing an elaborate Thanksgiving dinner while the in-laws sit nervously in the next room sipping Brandy Alexanders, wondering just who their daughter got herself mixed up with this time.

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3 Responses to “Ramal LaMarr “Omens, Oracles & Mysticisms of Dance””


  1. 1 Sabrina
    April 26, 2018 at 11:38 pm

    Ramal & his wife Chandrani fell in love with belly dancing and made it their life in Germantown Wi….Chandrani died of cancer over 2 years ago and many people adored them..please do not judge the book by the cover…they were very nice people!

    • April 28, 2018 at 9:00 pm

      Thank you for your comment. I’m sorry to hear that Chandrani passed away. The music is quite effective at creating a mood that is mysterious and maybe my imagination was taking it several degrees further down the dark path. I’m glad to hear that it’s about the belly dancing, and like I said, this record is growing on me!

    • 3 wornhill
      June 17, 2018 at 9:17 am

      Hi Sabrina – Is Ramal still alive? I love his records and was hoping to find him to let him know


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